TOMMY KEENE

Sleeping On A Roller Coaster EP

One of the 1980s most critically acclaimed (and commercially ignored) singer/songwriters returns with his first new release in over three years. Hailing from Washington D.C., Tommy Keene's early records for the Park Avenue and Dolphin labels were classic examples of intelligent, irresistible guitar rock for their time, much as Big Star, the Only Ones or the Real Kids were in their day. Keene's early success positioned him as one of the brightest lights. Unfortunately, his subsequent singing to Geffen Records in 1986 resulted in a disastrously over-produced major label debut that had switched its allegiance from chiming guitars to foul-mouthed atonal musicians who used words like fuck and mayonnaise, so nobody noticed. Oh yeah, Geffin dropped him 15 minutes after the second album came out.

Ordinarily, we'd love to bury Tommy next to Von LMO and Little Bob Story in the Forgotten Rock Legend Hall of Fame, except he forgot to give up (or go metal, if there's a difference). Over the past few years, Tommy Keene has continued to write, record and perform dazzling new material. At least we were dazzled by it; every fucking big label you can think of has sent Tommy a rejection letter. This wouldn't be so awful, except several of them began with "Dear Timmy." So this is our way of letting you guys know that you missed the bus (almost). There's still time to catch on to this guy (and he hasn't even peaked yet), otherwise you'll have to watch some small European country turn him into a hero (like Mickey Rourke or something). Even worse, Rykodisc might reissue this stuff in 10 years.

TIMELINE

1970's, feel alright, etc. Keene plays guitar for the Razz. More legendary than Grand Mal, not as legendary as the Slickee Boys. This legend thing is a big drag.

1981. Tommy's debut solo LP Strange Alliance is released on Park Avenue Records. Excessive use of guitar harmonics predates U2's Edge by two or three days.

1982. Strange Alliance is reissued with the inclusion of a bonus 7", "Back To Zero," still one of Keene's finest moments, and the song that arguably brought him to national attention. "Better than 'Radio Free Europe'" said somebody (we forgot who).

1984. North Carolina's Dolphin label releases the Places That Are Gone 12" EP, which goes on to become one of the year's top selling independent releases. The EP garners a four-star review in Rolling Stone, and is voted the #1 EP in the following year's Village Voice Pazz & Jop Poll.

1985. "Back Again (Try....)" 12" EP is released on Dolphin. Produced by T-Bone Burnett and Don Dixon, these songs were culled from the same session that were to have produced Songs From the Film, Tommy's second album.

1986. After signing to Geffen Records (home of Cher, Stan Ridgeway and Quarterflash), the original Burnett/Dixon version of Songs From the Film is scrapped in favor of new recordings with producer Geoff Emerick (he of Imperial Bedroom fame). The new version, recorded for billions of dollars in Berumda (or Nassau, or Pago Pago, who knows) goes over about as well as that romantic comedy with James Woods and Dolly Parton (we remember the name of it but we're not telling you).

1987. Tommy appears briefly in the Anthony Michael Hall vehicle Out of Bounds. Keene's portrayal of a rock musician playing a song called "Places That Are Gone" fails to win notice from the film industry, despite the obvious reach in taking on such a role.

1988. Keene fires his entire band and moves to Los Angeles, predating a similar move by Bruce Springsteen by several years. Always a pioneer...

1989. Based On Happy Times, recorded at Ardent Studios in Memphis is released, deleted and destroyed all on the same day. Keene's management company and booking agency also drop him that afternoon. We really think if Tommy was into astrology this particular day would've turned out differently, but you'd better not mention it to him.

1990-91. An endless series of "showcases," demos and expensive phone calls leads to very little. An offer from Island Records is pulled off the table when Keene is quoted in the Santa Monica Shopper as saying U2 "really stink" (Keene denies making this statement). Tommy does a brief tour playing guitar for Reprise artist Adam Schmidt.

1992. New Matador 5 song EP, ecstatic response, resurrection in the marketplace, etc. Don't you just hate these guys who get famous overnight?

Ten Years After LP/CD

Ten Years After is Tommy Keene's first full-length album of new material since 1989's Based On Happy Times (Geffen).

The album was recorded by Adam Schmitt.

Isolation Party

Despite the fact that Tommy's previous four albums, three EPs and various singles have garnered critical praise and faithful endorsements from celebrity musicians Whose Records You Own, he's pretty much done things in a way that make the most sense to him. "All I've ever really set out to accomplish is writing songs that appeal to me, that reflect my life's experiences in a musical language that I can relate to. Sure, positive feedback from fans or the press is something that I appreciate but those things have never dictated how or why I write songs. That's not why I want to make music."

Tommy Keene has recorded and produced a new album called Isolation Party that contains a dozen new compositions plus a groovy reading of "Einstein's Day" by long-defunct Boston visionaries Mission of Burma. The new songs were written over a period of a year and a half in-between tours as guitarist with Paul Westerberg and Velvet Crush. What makes Isolation Party different from his previous recordings is that Tommy chose to record most of the instruments and produce the sessions largely on his own. However, you'll find various and sundry contributions from long-time Tommy Keene Group associates, John Richardson on drums and Jay Bennett, currently with Wilco, on guitar, along with Wilco's Jeff Tweedy and ex-Gin Blossom Jesse Valenzuela. The sessions were recorded during the summer and fall of 1997 at Short Order Studios, owned & operated coincidentally, by underground pop heroes the Shoes, just outside of Chicago in Zion, IL., and mixed at Private Studios in Champaign. Just in case you care to know these things...

Maybe the real inherent beauty behind Isolation Party, his fifth full length album, was Tommy's ability to reflect his influences and heartfelt emotions within the songs while mixing the impassioned atmosphere of his live performances to tape; somewhat of a constant challenge in the studio for Tommy. He explains "Live, my guitar sound is really gritty and distorted and it's always been difficult to get that same sound in the studio. I hope it sounds closer to what I'm after. Another goal with this record was to try to find a way to capture the vibe of all my favorite records from the 60s, 70s, 80s and 90s and that's not quite as simple as it sounds. Recording technology from each of those era's had very distinctive qualities of their own. What I've tried to do this time was combine elements and sounds from all of these influences into the songs and onto the record."

In fact, it's hard to miss the confluence of inspiration that can be traced from Tommy's- and probably your own-record collection. Nuances either blatant or subtle that have helped define Tommy's own songwriting sensibility. Classic influences from the Who, the Rolling Stones, Cheap Trick, Velvet Underground, Big Star, Modern Lovers, the Only Ones, and countless others. You'll have to ask him. Either way, it was never meant to be Anything New, just melodic and recognizable with memorable melody lines, thick guitar textures and intelligent lyrical word play about real people and real situations, not always based on happy times. "Timeless" might be the only way to describe the music of Tommy Keene.

And now, a few little known facts about Tommy Keene (by the way, he hates this stuff): Tommy's father (a respected jazz saxophone player) was employed by the CIA as a Secret Serviceman after WWII. The Keene family traveled extensively throughout Europe and Asia where Tommy had discovered Rock n Roll. By the age of 12, Tommy had a Beatle haircut, seen the world and was learning how to play guitar, bass, drums, and piano. Tommy's dad has encountered a UFO.

While in London in 1966, a relative, who worked for an amplifier manufacturer, invited Tommy to see the Small Faces and Yardbirds. Backstage, Tommy was introduced to Jeff Beck, who was so impressed with the kid's knowledge of guitars that he gave Tommy his Fender Esquire. Tommy recalls, "He said something like, 'Well, maybe one day you'll make better use of this than I can.'" Tommy still has the guitar to this day and has used it on every studio recording. Tommy offhandedly dismissed the event as "unbelievably cool but he must've had an endorsement." The two have not crossed paths since.

While on Geffen Records in 1986, an A&R man (who shall remain unidentified) actually recommended: "Ya know, Tommy, you should try writing more songs like, I dunno, Rick Springfield. Something along the lines of "Somewhere Between the Moon and New York City," you know, a real radio type song we can work with." Needless to say, Tommy politely declined the offer.

In 1979, Tommy turned down offers to join the touring version of a Very Well Known American Band for Lots of Money (for litigious purposes, we've been warned to "lip up") in order to play with his favorite local band, The Razz. Leave it at that, shall we? Let's hear it for punk rock!

In 1996, Tommy toured the UK with Oasis as lead guitarist for support act, Velvet Crush. Noel Gallagher asked a British journalist (I won't tell you who but he wrote a book about Oasis and his initials are TN) "Who's the clever fucker with the Telecaster?" The journalist noticed, "Don't you think he looks a bit like you Noel" to which his reply was "Bollocks, but ee's not half bad...Bastard!" As close to a bona fide complement as you'll get from I guy like him. I guess.

In 1997, Paul Westerberg recruits Tommy to wear suits and play lead guitar, play some piano & sing a little. One Midwestern critic reported, "Guest guitarist Tommy Keene added some sparkle to an inspired set with some superb playing and backing vocals." Tommy still hasn't showed that review to anyone but thanks to Burrelle's clipping service for the tip.

Samples from Isolation Party

"Getting Out from Under You" RealAudio 3 version | .au version

"Take Me Back" RealAudio 3 version | .au version

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